Mrinalini Mukherjee and Her Circle at the RA: ‘collapses hierarchies’

As A Story of South Asian Art illustrates, Mukherjee learned to collapse the hierarchies between fine art (seen as masculine, Western, concerned with profit and assumed to hold value like gold) and craft (dismissed feminine, Other, useful, not something you can shove in a vault and see appreciate in value) from painter, muralist, printmaker and designer, KG Subramanyan.